Lauren Brevner TAKANE NO HANA

TAKANE NO HANA , Exhibition view, Twist Gallery, Toronto, February 2016.  ©georgialove

TAKANE NO HANA, Exhibition view, Twist Gallery, Toronto, February 2016. ©georgialove

On the 4th of February, I had the immense pleasure to meet with Vancouver’s self-taught artist Lauren Brevner. Her mesmerizing artworks depict the female form in a brilliant, elegant and sophisticated manner. Her large formats are the quintessential of the term "mixed media". Brevner's uses oil, acrylic, chiyogami, yuzen and washi Japanese paper, metal leafs, resin and even a blow-torch to achieve her jaw dropping aesthetic.

Lauren Brevner’s art is the result of endless exploration with traditional and contemporary mediums. As incredible as it may seem, she does not undertake any type of preparatory work! The artist draws the feminine figure directly on wood, a material she affectionate particularly for the richness of the grain. Once the damsel has been drawn on the wood panel, she layers the underpainting in acrylic and then paints the facial features exclusively in oil. Afterwards, she applies up to five layers of resin (and blow-torches the bubbles away) to produce the iconic and mesmerizing depth within her paintings. 

Hyacinth  / Oils, acrylics, metal leaf, resin and mixed media on wood panel / 48x48 inches / 122 x 122 cm / 2015 / Private Collection /  ©LaurenBrevner

Hyacinth / Oils, acrylics, metal leaf, resin and mixed media on wood panel / 48x48 inches / 122 x 122 cm / 2015 / Private Collection / ©LaurenBrevner

Even after applying various layers of resin, her artistic process is far from over. Lauren adds metallic leaves of gold, silver and/or copper to her female "portraits". Then, she designs luscious clothing for “her girls” in an intricate collage of traditional Japanese paper. Just as in a sublime game of Barbie doll, Lauren Brevner combines an exquisite colour palette and undulations of forms to bring "her girls" to life.

Kishi Kaisei  (起死回生) / 2015 / Oil, acrylic, mixed media and resin on wood panel / 4 x 4 feet / 122 x 122 cm / Private Collection / ©LaurenBrevner

Kishi Kaisei (起死回生) / 2015 / Oil, acrylic, mixed media and resin on wood panel / 4 x 4 feet / 122 x 122 cm / Private Collection / ©LaurenBrevner

The first question that came to my mind as I was blown away by the show was: who are these women? Are they real? Does the artist work from photography first? Well, as unbelievable as it may seem, she doesn't! Lauren Brevner’s striking portraiture come straight from her imagination (so technically, I can't use the word portraiture but you guys get the concept...). The majority* of her work are designed by mixing features of different women she sees, her own criteria of feminine beauty and a strong belief in female empowerment. 

The talent and the dedication of this young self-taught artist has no limits. After a life changing trip to Japan and a four months residency in New York, Lauren Brevner is fully dedicated to her art. She mentioned that her style has evolved tremendously in the past two years. Particularly, since her association with Artlink-Canada, a dynamic and mobile Art Gallery directed by Crane Wang and Allison Thompson.

"I really feel my aesthetic changed completely since I started working with Artlink-Canada. We are all young women wanting to create something new in the Canadian and international art scene and I find that really inspiring”.

Toshi No Seishin / 2015 / Oil, acrylic, mixed media and resin on wood panel / 4x6 feet / 122 x 183 cm / ©LaurenBrevner /  Enquire about this artwork

Toshi No Seishin / 2015 / Oil, acrylic, mixed media and resin on wood panel / 4x6 feet / 122 x 183 cm / ©LaurenBrevner / Enquire about this artwork

TAKANE NO HANA is Lauren Brevner first solo exhibition in career. Reaching this level of finesse and beauty for a first show is something I have rarely seen before. Don't forget that this artist is self-taught, which means she didn't enroll in any artistic school program. As you can see with all of the masterpieces above, she doesn't need it. 

Interview with Lauren Brevner, 4th February 2016, Curated by Artlink-Canada, Twist Gallery, Toronto, ©GeorgiaLove

Interview with Lauren Brevner, 4th February 2016, Curated by Artlink-Canada, Twist Gallery, Toronto, ©GeorgiaLove

Camila's Art World Wise Advice: Never give up. Your art is worthy of being included in the best international collections and in every Contemporary Canadian Art museums. You've got the magnetism of Klimt and the intricate process of the old masters. Don't change a thing to  your girls.

Amaranth  / 2015 / Oil, acrylic, mixed media and resin on wood panel / 4x3 feet / 122 x 91.5 cm / ©LaurenBrevner / Enquire about this artwork

Amaranth / 2015 / Oil, acrylic, mixed media and resin on wood panel / 4x3 feet / 122 x 91.5 cm / ©LaurenBrevner / Enquire about this artwork

To learn more about Lauren Brevner’s work visit CBC Arts.com:

• Only two pieces in the show were portraits of existing women: Renge inspired by the American model Devan Aoki and Ka&Ko, a diptych representing her young cousin.

** Exhibition information: TAKANE NO HANA, Feb 4 - 25, 2016, Twist Gallery, 1100 Queen Street West, Toronto. Gallery hours : Tue - Sat 11 – 6 p.m.

Erin Loree MIDNIGHT BLOOM

Installation view,  Midnight Bloom , Angell Gallery, Toronto, January 2016 / ©ErinLoree

Installation view, Midnight Bloom, Angell Gallery, Toronto, January 2016 / ©ErinLoree

It was with great pleasure that I assisted to the jam-packed opening of Midnight Bloom by Erin Loree. As this is her first show with Angell Gallery, her art definitely benefited from the large square footage and the high ceilings. 

The Way Inside  / 2016 / oil on panel / 30 x 24 inches / 76 x 61 cm / Private Collection / ©CamilaJourdain

The Way Inside / 2016 / oil on panel / 30 x 24 inches / 76 x 61 cm / Private Collection / ©CamilaJourdain

In this show, we can see a grand maturity achieve by Loree. First, she is working on larger canvases than she ever did before (up to 3 meters large). Secondly, I noticed a greater work in transparency. White spaces are more present, creating softer rhythms and fluid lines. Don't get me wrong, the thick impastos of oil are still present and center to her composition, however they are more condensed and balanced by the surrounding thiner application of paint. 

Tug-O-War  / 2016 / oil on canvas / 100 x 120 inches / 254 x 305 cm / Private Collection / ©ErinLoree

Tug-O-War / 2016 / oil on canvas / 100 x 120 inches / 254 x 305 cm / Private Collection / ©ErinLoree

The grand chef-d'oeuvre of the night (even though I consider everything Erin produces to be a chef-d'oeuvre) was definitely Thug-of-war. The painting takes your breath away first by it's gigantic scale 2.5 meters high for 3 meters long. I can only imagine the physical work required to create it. Let me remind you that Erin Loree works vertically, applying oil with brushes and moving the thick paint all-over the surface with homemade squeegees. Then, the seemingly infinite shades of blue, green, purple, yellow, pink and orange present in Thug-of-war captures your soul and forces you to look deeper and deeper into the composition. As I said in my previous review, I could spend a lifetime gazing at Erin's thick impasto's of oil, just as I would spend my life in front of a Riopelle, and never get tired of it. 

Installation view, Midnight Bloom, Angell Gallery, Toronto, January 2016 / ©ErinLoree

Installation view, Midnight Bloom, Angell Gallery, Toronto, January 2016 / ©ErinLoree

As I was writing this review, I received the news that Midnight Bloom sold-out just after the opening! I couldn't be happier for this well deserving artist who worked so hard to present her inner landscape & her inner light to the world. Erin Loree is undeniably the most promising Canadian painter of this century and it is only a matter of time before she achieves world-wide recognition. 

Grotto  / 2016 / Oil on canvas / 75 x 70 inches / 190 x 178 cm / Private Collection / ©ErinLoree

Grotto / 2016 / Oil on canvas / 75 x 70 inches / 190 x 178 cm / Private Collection / ©ErinLoree

Midnight Bloom is on view at Angell Gallery from January 8th to 30th 2016, Wed to Sat 12pm to 5pm or by appointment7 to 9 p.m. 1444 Dupont St., Unit 15, Toronto. 

Erin Loree GRIT/SHEEN

To my humble opinion, Erin Loree is the best abstract painter in the world! I had the chance to meet her during the opening of her first solo show: GRIT/SHEEN at Project Gallery in Toronto. 

Installation View - GRIT/SHEEN - Project Gallery - Toronto - Oct. 2015 -  ©Spencer Robertson

Installation View - GRIT/SHEEN - Project Gallery - Toronto - Oct. 2015 - ©Spencer Robertson

As I made my way through the impressive crowd I immediately fell in love with the luminescent swirls of light, the exquisite gradients of colour and the quasi sculptural impasto of oil that characterizes Erin Loree's groundbreaking abstractions.

The uniqueness of Loree’s style can be partly explained by her technique. She initiates her creative process by brushing delicate gradient of colour on the background of each canvas/wood panel. Then, she spreads a thick layer of oil all over the support and steers it with homemade squeegees!

Dig Deep / oil on panel / 8 x 6 inches / 20.32 x 15.24 cm / 2015 / Private Collection / ©ErinLoree

By this means, she is able to produce astonishingly bright swirls of paint intertwined with imposing multicoloured masses without ever compromising the harmony of her palette. Even if Loree’s pieces vary a lot in sizes (from 6”x 8” to a majestic 60” x 84”), the emotional charge transmitted by her art works remains the same. Each canvas conveys a vivid expression of energy and movement grasped in time, where radiant light seems to emerge from within.

The Sensation of Falling #1  / oil on canvas / 36 x 24 inches / 91.44 x 60.96 cm / 2015 / Private Collection / ©ErinLoree

The Sensation of Falling #1 / oil on canvas / 36 x 24 inches / 91.44 x 60.96 cm / 2015 / Private Collection / ©ErinLoree

When I went up to her to congratulate her for the show, I couldn't believe her reaction. Appreciative, humble and truly grateful of the compliments I was giving her, almost as if she didn't realize she is the best painter alive! No Warhol bullshit with this girl, no games, just pure talent. 

The Beholder  / Oil on canvas / 60 x 36 inches / 152 x 91 cm / 2015 / Private Collection / ©ErinLoree

The Beholder / Oil on canvas / 60 x 36 inches / 152 x 91 cm / 2015 / Private Collection / ©ErinLoree

As you all know, it is extremely rare in today's international art scene to encounter something truly new, something that you've never seen before, something that wasn't done in the 1970's and redone in the 2000's, something that we can actually call: Contemporary Art. So, when I discovered the art of Erin Loree at Project Gallery, my faith in the relevance of painting in the 21st century was brought back to life. 

Camila's Art World Wise Advice: Think big my darling ! Your talent is all you need to conquer the WORLD. International shows should be your priority. 

Brain Freeze  / Oil on canvas / 22 x 18 inches / 56 x 46 cm / 2015 / Private Collection / ©ErinLoree

Brain Freeze / Oil on canvas / 22 x 18 inches / 56 x 46 cm / 2015 / Private Collection / ©ErinLoree

GRIT/SHEEN: Erin Loree's Solo Exhibition, 1 - 14 October 2015, Project Gallery, Queen Street W, Toronto, Canada.